Recording of the Month

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Saturday, July 12, 2025

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: Written by: Joseph Taylor; Category: Recording of the Month; Created: 01 August 2016

XL Recordings XLCD790
Format: CD

Musical Performance: ****1/2
Sound Quality: ****
Overall Enjoyment: ****1/2

It’s been five years since the last Radiohead album, The King of Limbs, during which time singer Thom Yorke has released a solo album, Tomorrow’s Modern Boxes (2014), and guitarist Jonny Greenwood has composed the scores for three films. It’s hard to think of a band that’s gone in more unexpected directions during its career, whether musically or in the ways it’s made that music available. Radiohead released their newest, A Moon Shaped Pool, as a digital download on May 8, and on physical media on June 17, following a pattern established with In Rainbows (2007) and The King of Limbs (2011).

: Written by: Joseph Taylor; Category: Recording of the Month; Created: 01 July 2016

Verve B0025015-02
Format: CD

Musical Performance: ***1/2
Sound Quality: ****1/2
Overall Enjoyment: ****

Mark Knopfler has written music for films since 1983, when he composed the score for Bill Forsyth’s Local Hero. He’s done the music for eight more films since then, including Cal (1984), The Princess Bride (1987), and Wag the Dog (1997). His latest, Altamira, is a collaboration with percussionist Evelyn Glennie, and is his first soundtrack since A Shot at Glory (2009).

: Written by: Joseph Taylor; Category: Recording of the Month; Created: 01 June 2016

Sham CD-102
Format: CD

Musical Performance: ****
Sound Quality: ****
Overall Enjoyment: ****

The Jayhawks have endured some personnel changes in their three decades, but they hang in there. Guitarist and singer Gary Louris and bassist Marc Perlman are the constants, and drummer Tim O’Reagan, with 20 years in the band, isn’t far behind. Keyboard player Karen Grotberg has now done a couple of stints with the band, as has guitarist Kraig Johnson, and it’s this quintet that has given us the Jayhawks’ new album, Paging Mr. Proust.

: Written by: Joseph Taylor; Category: Recording of the Month; Created: 01 May 2016

Merge MRG580
Format: CD

Musical Performance: ****
Sound Quality: ****
Overall Enjoyment: ****

Bob Mould knows the power of loud guitars. He also knows a lot about melody. His best records, including his first solo album, Workbook (1989), or his music with the band Sugar, combine brute force with a strong pop sensibility. The guitar riffs continue to follow you around after you’ve heard them, but he matches them to songs that are radio friendly, or would be in a more perfect world.

: Written by: Joseph Taylor; Category: Recording of the Month; Created: 01 April 2016

Alligator ALCD 4968
Format: CD

Musical Performance: ****
Sound Quality: ****
Overall Enjoyment: ****

Between 1927 and 1930, Blind Willie Johnson (1902-1947) recorded 30 sides for Columbia Records. In 1993, Columbia/Legacy reissued as The Complete Blind Willie Johnson, on two CDs. Sam Charters wrote the liner notes to the set, and he opens his lengthy essay by telling the reader that one of his most cherished possessions is “a charred bit of wood [that] is the bridge to Willie Johnson’s guitar.”

: Written by: Joseph Taylor; Category: Recording of the Month; Created: 01 March 2016

Blue Note Records B002427702
Format: CD

Musical Performance: ****
Sound Quality: ****
Overall Enjoyment: ****

Saxophonist Charles Lloyd has played in a number of unique lineups, including an early stint as music director for drummer Chico Hamilton’s group in 1960, which included the Hungarian guitarist Gábor Szabó. Szabó’s distinctive style employed single-note runs that showed a rock influence and he often used open strings to create a drone effect. Bill Frisell has mentioned him as an influence, and Frisell is one of the guitarists in the Marvels. Steel guitarist Greg Leisz is the other, and together with the rest of Lloyd’s new group they create haunting, often ethereal music that embraces blues and country while retaining the complexity of jazz.

: Written by: Joseph Taylor; Category: Recording of the Month; Created: 01 February 2016

Blue Note Records B002285602
Format: CD

Musical Performance: ****
Sound Quality: ***1/2
Overall Enjoyment: ****

A few weeks ago, my son directed me to a web link for a concert and suggested we buy tickets. I did not know much about pianist Robert Glasper, aside from the fact that he was one of the artists signed to Blue Note Records in recent years. I assumed he injected some hip-hop into his jazz -- he does -- and that he was trendy and not, ahem, real jazz.

: Written by: Joseph Taylor; Category: Recording of the Month; Created: 01 January 2016

Reprise 550219-2
Format: CD (2)

Musical Performance: ****
Sound Quality: ***1/2
Overall Enjoyment: ****

After making five albums for Geffen Records, Neil Young returned to Reprise Records in 1988, and the first product of that reunion was This Note’s for You. Young’s Geffen output -- such recordings as the strange electronica of Trans (1982), and the rockabilly-flavored Everybody’s Rockin’ (1983) -- had thrown label and fans for a loop. This Note’s for You was another unusual turn: a dozen blues and R&B tunes that put Young in front of a horn section. Critics didn’t fall over themselves with praise, but it got a warmer response than the records that had preceded it.

: Written by: Joseph Taylor; Category: Recording of the Month; Created: 01 December 2015

Blue Note/Music Matters MMBST-84195
Format: LP

Musical Performance: *****
Sound Quality: ****1/2
Overall Enjoyment: *****

Pianist Herbie Hancock was just 24 when he recorded Maiden Voyage for Blue Note Records in 1965, and he had already appeared as the leader on four previous albums for the label. He had also appeared as a sideman on many other Blue Note recordings, as well as on LPs by musicians on other labels. But most jazz fans already knew him best as a member of Miles Davis’s second great quintet. Two other members of that quintet, bassist Ron Carter and drummer Tony Williams, appeared on Maiden Voyage.

: Written by: Joseph Taylor; Category: Recording of the Month; Created: 01 November 2015

Strikezone 8812
Format: CD

Musical Performance: ****
Sound Quality: ****
Overall Enjoyment: ****

Jazz guitarist Dave Stryker has led more than 25 sessions and played on many others, but Messin’ with Mister T shows what a master he’s become. I’ve heard a few of his albums over the years, in particular The Stryker/Slagle Band (2003), the first one he co-led with saxophonist Steve Slagle, and always thought him a solid player with a journeyman quality. After listening to Messin’ with Mister T, I think I need to go back to some of his other recordings.